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	REELS, WHAT'S THE DEAL? By: Nyle Lynn Maritch
	In today’s viral video age not having footage of your talents online is like not having a headshot! Many projects are now casting directly from video submissions. As we know auditions for film and television roles have always been recorded. And now with hits like Glee changing the game,...(READ THE FULL ARTICLE)

	THE ROAD TO ~~WINNEMUCCA~~...ER, I MEAN, BROADWAY By: Angela Theresa Egic
	The most important lesson I’ve learned as an artist, a performing artist is: You must make your own opportunities. An agent negotiates your price, you negotiate your worth. A manager gives you his or her observation of your type, your venues and how you present yourself. Nevertheless, in the final analysis...(READ THE FULL ARTICLE)

	"THE AUTISM ANGLE" By: Lynette Louise
	When I first began doing standup back in the early eighties it was mainly because I couldn’t clear enough time in my schedule to do a play. Standup allowed me to work on stage but still organize my time according to my family’s needs. My family had a lot of needs. (READ THE FULL ARTICLE)

	"SUPPORT IS FOR JOCK STRAPS AND BRAS- NOT SINGING!" By: Sally Morgan
	Have you ever had nightmare-ish voice lessons? Boy, I have! One of the issues that constantly came up in my voice lessons was ‘support.’ I was punched in the stomach to make sure I was ‘supporting’, had 2 male teachers try to shove hands down my pants to make sure I was ‘supporting,’ told to lift up the piano while singing to engage the support, go into a clothes closet and sing as loud as I can to, well… (READ THE FULL ARTICLE)

	"PASSION CAN TAKE YOU WHERE YOU ARE ABLE TO SUCCEED" By: Dara Bragg
	People are passionate about many different things, singing, dancing, bowling, juggling, writing, playing golf, or even about a garden in the backyard. My passion is the Performing Arts, especially theater. How did this all begin? My first introduction to theater...(READ THE FULL ARTICLE)

	"IT'S ALL ABOUT CONTROL " By: Allison Mosier
	I find the Actors Access tagline to be rather ironic. There is so much in this business and in life that is out of our control, and when we try and force things to happen our way, it usually has an adverse effect. You can’t control if the Casting Director is choosing to see non-Eq’s at the EPA. You can’t control ... (READ THE FULL ARTICLE)

	A GYPSY CHANGED MY LIFE – 30 years ago By: Kevin Ireland
	A CHORUS LINE opened on Broadway thirty-six years ago, on July 25, 1975. That anniversary has brought many memories to mind, so I'm sharing this story to remind my musical theatre friends the impact they will likely have for years to come. Pay it forward, gang. You will change lives too. (READ THE FULL ARTICLE)

	Performance Anxiety By: Jennifer Hamady
	Performance anxiety is an elephant-in-the-room sized issue for everyone who spends time on any kind of a stage. Its management is the subject of a thousand books, workshops and programs that teach how to deal with and mitigate its effects... how to ride its wave rather than have it come crashing down upon you. (READ THE FULL ARTICLE)

	Never Again Work a Day in Your Life By: Cameron Munson
	Thinking about making a career for yourself in the entertainment business is something I’ve heard many non-creative types laugh at. It’s almost impossible to consider the avenues and correct rejections and/or praise to take. But as an actor/director and entrepreneur, I’ve pondered these thoughts and never given up on them. It’s always about the big picture... (READ THE FULL ARTICLE)

	The Evolution of Success By: Nichole Donje’
	So many young performers start out in New York City full of energy, excitement and dreams. They walk into an audition or an agent seminar ready to be “discovered”. For over a year I auditioned and went to seminars when in one, an agent said “…don’t wait for me, do it yourself!”. That stuck! I want to share with you...(READ THE FULL ARTICLE)

	TRUST By: Kimberly Faye Greenberg
	Never in my life would I have ever imagined that I would be starring in 2 shows Off-Broadway at one time! One being a Solo Show, “One Night With Fanny Brice”, written/directed/arranged by Chip Deffaa and the other being the two hander, “Danny & Sylvia, the Danny Kaye Musical”. Honestly, I never even knew that was even remotely a possibility for any actor who was already currently playing in one NY show….my thought would be..”Are you crazy? Two at the same time? Completely impossible!”….. Or so I thought. (READ THE FULL ARTICLE)

	10 Lessons By: David Fink and Kim Clark
	About eight years ago, we started a live performance space in a small farm town about 75 miles from downtown Chicago. We grew organically and learned many lessons along the way. Here are 10 observations that we are willing to share. The journey has been rough and rewarding and continues to progress. Our website is www.acorntheater.com. 10 Lessons from starting a new theater... (READ THE FULL ARTICLE)

	CONSTANT IMPROVEMENT By: Marcus Conerly I guess you could say it fits with any career. But the need to be constantly at the top of your game is especially necessary in the show biz world. Whether you’re an actor, singer, dancer, hand model or all of the above, you always want to make sure you’re doing everything you can to set yourself apart from the other people of your “type”....(READ THE FULL ARTICLE)

	THE MYTH OF THE STARVING ARTIST By: Brian Myers Cooper I cringe whenever I hear the words “struggling actor” or “starving artist.” The implication that to be an artist you have to starve, or that unless you have a star on Hollywood and Vine you are “struggling” is bogus! Looking at it from the outside, a theatre actor’s life and career can seem crazy, but struggling and starving are definitely not the way to stay sane in this wacky business. When I met my agent,...(READ THE FULL ARTICLE)

	A Dream of Being By: David Green I had dreamed of being a Musical Theater actor since I played the title role in Miss Locke's 4th grade production of “Winnie-the-Pooh” and I was 17 years old the first time I faced the choice of living a life of security or pursuing my dream. Having heard all the stories of unemployed actors I decided the “Starving Artist” life wasn't for me, so...(READ THE FULL ARTICLE)

	Box Office Friday By: Lisa Gold Wonder why I’m calling this “Box Office Fridays”? Well its because movies usually premier (with some exceptions) on a Friday AND my company is call Act Outside the BOX. Seemed a natural fit and I love to do things with alliteration, number sequences, colors…you know marketing CAN be creative! One of the movies opening today is called...(READ THE FULL ARTICLE)

	Play it Again Sam By: Brian Childers At dinner the other night I was asked, "As an actor, don't you get tired of saying the same lines and singing the same songs over and over everyday?" My immediate response was "Not at all". She responded "Really, Why?". I instantly thought of Yul Brynner who played over 3000 performances of The King and I...(READ THE FULL ARTICLE)

	Becoming the Architect of Your Own Production By: Deborah Jean Templin A production is like a building, you have to prepare the plans, lay down the base and from there you can build it up. But first you have to think. And you have to have a great subject. What happened to the people in the lifeboats? I have been creating one person shows since I was a teenager thanks to programs through the 4-H program in my home state of Minnesota. While covering seven roles in the national tour of Stone/Yeston’s Tony Award winning musical Titanic from 1998 to 2000, I experienced ... (READ THE FULL ARTICLE)

	Dare to Dream By: Stephanie Battle When I was 12 yrs old I was told by an orthopedist that I would never be a professional dancer. I had severe scoliosis (curvature of the spine) and had to be braced from neck to hip until I was 21. Well, I had already done 3 Nutcrackers and had been taking ballet from the time I was 6. I knew my path early and was an extremely determined child. So I exercised...(READ THE FULL ARTICLE)

	Making a Living, or a Life, in the Theatre By: Michael Edwards Alfred Lunt and Lynn Fontanne, America's first couple of the American Stage spent many of their years on the Broadway stage. Their home, however, was not NYC. It was at "10 Chimneys" in Wisconsin. Their advice to young actors getting started:"If you want success in theatre...avoid both coasts"... (READ THE FULL ARTICLE)

	Stage Management By: Ernie Fimbres It’s autonomous, it’s definitely behind the scenes, there’s no applause, the cast either likes you or they hate you, it’s a double edged sword, lots of responsibility and very little recognition from the outside world. But it has it’s moments. Stage Managing live theatre gives real meaning to “Putting it Together.” (READ THE FULL ARTICLE)

	The Sky's the Limit By: David-Matthew Barnes I remember sitting in a classroom three summers ago at a playwriting conference in Southampton, New York. Marsha Norman was our instructor and it was difficult for me to pay attention to the personal story she was sharing with us, because I was so awestruck by her presence. Somehow, the phrase "the moment I felt my entire life change" filtered in through my daze of adoration as she told us about the first performance of her play 'night, Mother. (READ THE FULL ARTICLE)


	The Show Business Lifestyle By: Justin Boccitto When actors first move to New York it can be easy to get lost in the shuffle of the city. Everyday life has a way of distracting you from your goals of becoming a professional “working” performer. Most actors find themselves living on couches and working late restaurant jobs till two in the morning when they have to be their best for the early morning auditions....(READ THE FULL ARTICLE)

	Non-Traditional Casting By: Christine Toy Johnson When I was one month out of college, I made my Off-Broadway debut as the leading lady in a (very) short lived musical called OH, JOHNNY. In spite of being an Asian American actor in a profession that offered little to no role models at the time, I was thrilled by the possibilities that lay ahead and fueled by the honor of being a working actor. One day during rehearsals I chatted with a (Caucasian) cast member – we’ll call him “George” -- about the roles we each dreamed of playing one day. This conversation has been burned indelibly into my brain: Me: I’ve always wanted to play “Guinivere” in CAMELOT. “George”: “Guinevere” in CAMELOT?! Well, I guess you could do that – in theatre for the blind...... (READ THE FULL ARTICLE)

	“George M. Cohan & Me...” By CHIP DEFFAA They called him “the Man Who Owns Broadway.” And not just because he owned or controlled seven theaters. In his day, George M. Cohan (1878-1942) dominated American theater to an extent never duplicated by any other individual, before or since. Born into a poor family, and with virtually no formal education, he rose to the top of his field as an entertainer, songwriter, playwright, director, and producer. He wrote or co-wrote some 50 shows, produced or co-produced some 80 shows. (READ THE FULL ARTICLE)

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